Hello there!

If you’re reading this, it’s likely you have been asked to do a self tape.

We want to start by saying that if we request a tape, and you take the time to make a tape - you have our guarantee that we watch the tape!

Cheers and have fun,

The McGregor Casting Team

AT HOME RESOURCES FOR SELF-TAPING AND CALLBACKS

SELF-TAPING AT HOME

Please note to all actors - that you will not be judged by the production value of your self-tape. As long as we can see & hear you clearly that is what really matters. This is a short guide which includes some helpful tips on how to record a self-tape from home and to present yourself in the best possible way. Auditions can be filmed on your phone or any other camera you have available to you. We support you & thank you all for adapting to these changes.

Shoot: Keep it simple. Shoot with enough light so we can clearly see your face. Stationary is best, to focus on your face. Ideally, the camera/phone should sit on a tripod to maintain a steady image. If not, try and put the camera/phone on a stable surface (or utilize someone with steady hands). You could consider purchasing a small tripod or mobile phone bracket (examples below)

You could also fashion yourself a tripod using a coffee cup

Framing: ‘Medium’ shot is best (top of your head to just below shoulders with just a small amount of space above head. If you are shooting on a phone, please hold the phone in a ‘landscape’ position (example below)

Lighting and Sound: Natural light is best. Make sure the main light sources come from BEHIND camera (to see your face most clearly). Do not film yourself standing in front of a window (this will make you a silhouette). Record a test clip and see how it looks and sounds before taping the scene.

Audition Scene – helpful notes if you haven’t done an audition before: We only need you and your reader to read the dialogue for the characters. We don’t need you to read out the ‘stage directions’ – which are essentially all of the descriptions  - where the scene takes place, or the feelings a character has, or the action the character is doing. 

An example of a stage direction is:

‘Bob walks through the door’

‘Jane looks confused’

These directions don’t need to be read out loud.

Reader: Have someone read the lines of the other character(s) off camera. They should stand next to the camera. Your reader should not appear with you on camera. Your eye line should not be at the camera lens, but just slightly off (to the right or left of the lens i.e. looking at your reader).

You can use a housemate or anyone you live with to read the other characters lines for you. If you don’t have anyone who lives with you, you can record with a friend via video chat or have them read the lines on a phone call. We prefer having someone reading with you in real time as opposed to using pre-recorded clips.

Slate: Please record a SEPARATE video of you detailing your Name, Age (if under 18), Agent, Height, Location and Cultural Background.

MUSICAL THEATRE SELF-TAPE GUIDE

Please read through the above notes on shooting, framing, lighting and sound. These will help you with the basic set-up of your tape. Here are a few other notes to consider when putting down your self-tape for a musical:

• If you are using a piano accompanist or backing track do a few sound tests to make sure we can hear you and the piano/backing evenly. We suggest you do a few tests of the softer and louder parts of the song to make sure we don’t miss any of your singing!

• When singing your song, do not look down the barrel of the camera. You should place your eyeline off to one side or above the camera.

• If you are required to dance, this can be filmed anywhere you are comfortable dancing and have enough room to do so (including outside!) - as long as we can see you clearly!

CALLBACKS VIA ZOOM

If you are a first time Zoom user, follow these instructions detailing how to log on for the first time: Zoom Instructions

Position yourself at home where you get the best internet connection. The Casting Director will let you in to the meeting at your allocated callback time. They will make introductions on who is on the call with you, along with who is recording and reading with you.

Next, the Casting Director will run through some tech requirements, to ensure we get the best possible performance from you. Some things you can consider before the callback include:

• Ensure your room has enough light to we can clearly see your face, a light source from in front of your camera is best as opposed to a backlight (where we will only see your silhouette).

• If you can, have your device raised or on a tripod with the camera at your eye level.

• If you are using a mobile phone or tablet, always have it in landscape mode - make sure your device has autorotate enabled.

• If you are using a laptop, ensure your screen screen is straight, so we don’t see your face at an odd angle.

After you’re set up, this is your opportunity to ask the Casting Director or creative team any questions you have about the character, script, or show.

The first time we record on Zoom, there will be a popup letting you know it’s being recorded (screenshot below), you will need to click ‘got it’, this is the first and only time you’ll need to click that button.

You will also hear a computerised voice saying “this meeting is being recorded” at the start of the take, and “recording stopped” at the end of your take, this will indicate when the camera is rolling and when we’ve called cut.

The team will rinse and repeat this process with you until they have finished workshopping the scene. After you’ve said your goodbyes to the team we will remove you from the meeting.

If you are not feeling comfortable with the technology prior to your audition or callback, our team are happy to take you through a practice run.